| 1-1 | I'm Waiting For The Man | 4:43 |
| 1-2 | Vicious | 2:56 |
| 1-3 | White Light / White Heat (Live) | 5:03 |
| 1-4 | Sweet Jane (Live) | 4:01 |
| 1-5 | Heroin | 7:08 |
| 1-6 | Pale Blue Eyes | 5:43 |
| 1-7 | Endlessly Jealous | 3:57 |
| 1-8 | Sally Can't Dance | 2:55 |
| 1-9 | Rock And Roll Heart | 3:07 |
| 1-10 | Walk On The Wild Side | 4:13 |
| 1-11 | Satellite Of Love | 3:39 |
| 1-12 | Rock And Roll (Live) | 6:07 |
| 1-13 | Lady Day | 3:40 |
| 1-14 | Coney Island Baby | 6:37 |
| 1-15 | Perfect Day | 3:45 |
| 1-16 | Berlin (Live) | 3:25 |
| 2-1 | How Do You Think It Feels? | 3:42 |
| 2-2 | Romeo Had Juliette | 3:11 |
| 2-3 | Mistrial | 3:22 |
| 2-4 | I Love You, Suzanne | 3:12 |
| 2-5 | No Money Down | 3:10 |
| 2-6 | The Bells | 6:31 |
| 2-7 | New Sensations | 5:43 |
| 2-8 | Dirty Blvd. | 3:32 |
| 2-9 | I Wanna Be Black | 2:57 |
| 2-10 | Kill Your Sons | 3:35 |
| 2-11 | Power And Glory Part II | 2:58 |
| 2-12 | Temporary Thing | 5:13 |
| 2-13 | Video Violence | 5:35 |
| 2-14 | Men Of Good Fortune | 4:37 |
| 2-15 | Street Hassle | 11:01 |
Originally released in 2000 by BMG Australia Limited, The Wild Side is a compelling CD compilation that captures the grit, bombast, and experimental spirit of Lou Reed’s solo career. Known for his "wall-of-wound" production style, this collection showcases Reed’s unique blend of murky basslines, omnipresent saxophone, and 1950s-style backup vocals that create a dark, subversive take on rock 'n' roll bombast.
The tracklist features essential performances and fan favorites, including:
- "Walk On The Wild Side" – An expansive 16-minute version featuring Fernando Saunders' iconic bouncy bassline and Reed’s legendary anecdotal rambling.
- "Sweet Jane" – A wonderful rendition of one of his most enduring classics.
- "Kill Your Sons" – A vicious performance highlighted by the shredding guitar work of the legendary Robert Quine.
- "Heroin" – A powerful, bass-heavy interpretation of the Velvet Underground staple.
From the "doo-wop" influences to the relentless lead guitar work, this Australian release offers a deep dive into the shadow and murk of Reed's artistic vision. Whether you are a longtime devotee or a collector of regional pressings, The Wild Side stands as a raw testament to the "Dean of Rock Criticism's" most provocative subject.
