asian-dub-foundation-–-94-–-now-:-collaborations-(30-years-anniversary)
asian-dub-foundation-–-94-–-now-:-collaborations-(30-years-anniversary)

CD Asian Dub Foundation – 94 – Now : Collaborations (30 Years Anniversary)

€19,00
Налоги включены. Доставка рассчитывается на кассе

Prekės būklė: Naudotas

Код продукта: B3516628460821
Доступность: Доступно на складе Предварительный заказ баланса нет
Описание
1 No Fun
4:18
2 Comin' Over Here
3:14
3 Broken Britain
3:30
4 1000 Mirrors
4:55
5 Raj Antique Store
5:08
6 Taa Deem
4:48
7 Culture Move
4:30
8 Free Satpal Ram (Brendan Lynch Mix)
3:45
9 Toulouse
4:04
10 Black Steel In The Hour Of Chaos (Live At Somerset House)
3:18
11 Collective Mode
3:40

Asian Dub Foundation celebrates three decades of sonic rebellion with 94 – Now: Collaborations, a definitive collection showcasing their 30-year legacy as one of the UK’s most vital and idiosyncratic bands. This special anniversary release, issued via X-Ray Production, is far more than a "best of" compilation; it is a high-octane journey through the group’s unique fusion of jungle, dub, punk, and Bhangra.

The album features a powerhouse roster of legendary guest artists across eleven tracks, including rock icon Iggy Pop on a radical reinvention of "No Fun," Sinéad O’Connor and Radiohead’s Ed O’Brien on the hypnotic dub of "1000 Mirrors," and Chuck D on a ferocious live version of "Black Steel in the Hour of Chaos."

Key highlights include:

  • "Comin' Over Here" (ft. Stewart Lee): The satirical anti-racist anthem and surprise number-one single.
  • "Broken Britain" (ft. Chowerman): A brand new, relentless Indo-punk/jungle track recorded specifically for this release.
  • "Taa Deem" (ft. Nusrat Fateh Ali Khan): A masterful blend of traditional Qawwali and gritty electronic beats.
  • "Free Satpal Ram" (ft. Primal Scream): An intense, hard-hitting hip-hop/rock fusion.

Whether it’s the straight-up jungle of "Culture Move" or the "archaeological love song" of "Raj Antique Store," this collection serves as a testament to ADF’s enduring relevance and their status as a genre unto themselves.