CD George Lewis – In Hi Fi.........Plus
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Description
Description
| 1 | Original Dixieland One-Step | 4:33 |
| 2 | Four Or Five Times | 3:16 |
| 3 | Struttin' With Some Barbecue | 3:47 |
| 4 | Salty Dog | 1:49 |
| 5 | That's A Plenty | 4:09 |
| 6 | Move The Body Over | 6:01 |
| 7 | Don't Give Up The Ship | 4:31 |
| 8 | Didn't He Ramble | 3:26 |
| 9 | She's Crying For Me | 4:05 |
| 10 | Tishomingo Blues | 10:00 |
| 11 | Should I? | 4:05 |
| 12 | Mecca Flat Blues | 3:55 |
| 13 | Till We Meet Again | 5:01 |
| 14 | The Glory Of Love | 3:55 |
| 15 | Good Morning Blues | 4:06 |
| 16 | Smiles | 4:41 |
Experience the vibrant energy of George Lewis (2) – In Hi Fi.........Plus, a compelling 2008 CD compilation released via Upbeat Jazz. This collection captures the essence of upbeat jazz, showcasing Lewis as a pivotal figure in the evolution of the genre—bridging the gap between traditional swing sensibilities and the experimental "electro-acoustic" idioms that have defined his prolific career.
As a master of the trombone and a visionary composer, George Lewis is celebrated for his work alongside legends like Mingus and Ornette Coleman. This release highlights his unique ability to push rhythmic possibilities to their absolute limit, blending physical performance with a sophisticated understanding of jazz history and modern "creolization."
Release Highlights:
- Artist: George Lewis (2)
- Title: In Hi Fi.........Plus
- Label/Year: Upbeat Jazz, 2008
- Genre: Upbeat Jazz / Compilation
- Significance: A definitive look at a leader who transitioned jazz from classic bebop models into the adventurous territory of free music and composer dialogues.
Whether you are a longtime follower of the avant-garde or a collector of high-fidelity jazz compilations, this CD offers a striking mixture of technical mastery and soulful improvisation that makes it a "very good piece of work" for any serious music library.
WARNING: before purchasing, please pay attention to the item condition indicated above the item price. Condition is "New" or "Used".
