| 1 | Layers | 4:01 |
| 2 | Familiar Light | 3:22 |
| 3 | Sing Tomorrow's Praise | 3:35 |
| 4 | Gliss | 4:04 |
| 5 | Transparence | 3:49 |
| 6 | Risky And Pretty | 0:45 |
| 7 | In The Sky | 3:40 |
| 8 | Meh No Mae | 4:04 |
| 9 | Glacially | 4:19 |
| 10 | I Can't See | 4:17 |
| 11 | Me & Mary | 3:08 |
| 12 | Blind Little Rain | 4:34 |
Asobi Seksu returns with Hush, a brilliant and dense evolution of their signature sound. Released in 2009 on One Little Indian, this album sees the duo moving beyond their "Thames Valley" shoegaze roots to explore more considered, opalescent mood pieces and inventive sonic textures.
While maintaining the core elements of Yuki Chikudate’s piercing high soprano and James Hanna’s treated guitar arpeggios, Hush subverts expectations by trading explosive crescendos for atmospheric restraint and "gauzy, slo-mo bubble-gum" melodies. It is a record that rewards the patient listener with its ebullient craftsmanship and gutsy exploration of space and drone.
Key Highlights:
- "Me & Mary": The album's poppiest moment, featuring tight, noisy guitars and "dementedly fidgety drums."
- "Layers": A stunning vocal sequenza and mood piece reminiscent of Stereolab’s earlier work.
- "Glacially": A track that builds immense tension through bass and keyboard, offering moments of pure bliss.
- "Sun Falls into the Sky" and "Meh No Mae": Low-key, gossamer tracks that define the album's dreamlike atmosphere.
Hush is a must-have for fans of dream-pop and shoegaze looking for a record that balances maturation with a "clear new lust for challenge."
